makan!
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a space to remember, celebrate & argue about Krishen, as well as a space for Krishen to remind and argue with us.
Applicant Information
Name of applicant
Name of project director
Name of company
Address(es)
Telephone number(s)
Fax number(s)
Email address(es)
Website
Section 2
Personal Profile
CV of applicant
Main activities/past history
Objectives of your past/present/future work
Annual number of projects and annual expenditure of these projects
Section 3
Project Information
Description of project
Objectives of project
Profile of those involved in the project
Significance of the project
Time frame of the project
Detailed budget
Which other funding organizations have you applied to?
What amounts do you expect from these organizations?
What are your plans for this project if this application is not successful?
Section 5
Any additional information that you think will help the selection panel have a clearer understanding of your project.
Section 6
Account Information
Name of Account holder
Name of Bank and Branch
Type of account
Account number
Swift code
Address of Bank/Branch
The fund will give out grants ranging from RM5,000 to RM20,000 for :
Examples include, but are not limited to:
- Artist A might want to study under well known Indonesian theatre director Putu Wijaya. Artist A could apply to be attached to a production directed by Putu Wijaya for a 4-6 week period. This would give artist A insights and learning on methods of this director.
- Artist B might want to do research on a subject for purposes of writing a new script. Artist B could apply to do this research and write the script.
- Artist C could apply to direct and mount an experimental workshop or production.
- Artist D could apply to attend a training workshop within or outside of
- Attachments and internships.
The Krishen Jit ASTRO Fund will try to be inclusive, but work sited in
The selection panel for awarding the grants shall compr
A founder member of Five Arts Centre, he was one of Southeast Asia’s most influential theatre practitioners. Renowned for his experimental style of theatre and for fusing traditional with contemporary forms, he created works that reflected a fast-changing psyche, particularly in urban contexts. Krishen’s career as a director covered a span of over 35 years, during which he formed valuable creative partnerships with Malaysian and Singaporean playwrights such as Usman Awang, Syed Alwi, Dinsman, K.S.Maniam, Kee Thuan Chye, Leow Puay Tin, David Henry Hwang, Dick Lee, Kuo Pao Kun, Lloyd Fernando, Jit Murad, Huzir Sulaiman and Stella Kon.
Krishen also became very engaged in Singaporean theatre in his later years, particularly with TheatreWorks, Practice Performing Arts, Wild Rice and Action Theatre. Recently, he was nominated posthumously as 'Best Director' for Everything But The Brain at The Straits Times' 6th Life! Theatre Awards. The Action Theatre production was also nominated in four other categories, including 'Production of the Year', 'Best Original Script', 'Best Actor' and 'Best Actress'.
Krishen’s directorial works have also played internationally; among them are Manchester United and the Malay Warrior (Commonwealth Games Cultural Festival, Manchester, 2002), Family (co-directed with Wong Hoy Cheong, Festival der Geister, Berlin, 1999), Emily of Emerald Hill, (Hong Kong Fringe Festival, 2000, Melbourne Arts Festival, 2002), US: Actions and Images (5th International Experimental Theatre Festival, Cairo, 1993), Nagraland, (toured five cities in Japan and Hong Kong, 1992), Three Children, (co-directed with Ong Keng Sen, toured two cities in Japan, 1991), and Matinya Seorang Pahlawan (1st Third World Theatre Conference and Festival, Manila, 1972).
In his role as a critic and scholar, Krishen defied the boundaries of language, genre and discipline, making his body of writings an indispensable resource in the structuring and historicising of arts practice in Malaysia and the region. His essays and articles have been published in several publications, including two collections - Membesar Bersama Teater and Krishen Jit: An Uncommon Position.
UTIH… Celebrating Krishen featured free-flowing performances, recollections and installations by many of Krishen's friends and co-workers over the years, including:
Amir Muhammad
Anne James
Charlene Rajendran
Elaine Pedley
Fahmi Reza
Huzir Sulaiman
Imri Nasution
James Lee
Janet Pillai
Jo Kukathas
Judimar Hernandez
Kathy Rowland
Leow Puay Tin
Liew Kung Yu
Mark Teh
Nam Ron
Norman Teh
Ray Langenbach
Rhythm In Bronze
Soon Choon Mee
Temple of Fine Arts.
UTIH… Celebrating Krishen was also the occasion for Five Arts Centre to launch the Krishen Jit Experimental Workshop Series and the Krishen Jit – ASTRO Fund (more details on both in the upcoming posts).
Further along the line, we hope to continue devising and archiving the online resources related to Krishen - director's notes & photos from productions, the entire collection of his 'Talking Drama by Utih' articles (which ran for 22 years in the New Sunday Times), as well as interviews and his other writings.